fofa gallery exhibits: labouring the land and what happens when nothing happens
September 9, 2009
Labouring the Land
Marie-Michelle Deschamps and Michèle Lacombe
Gallery and black box:
What Happens When Nothing Happens
Independant Study Group (ISG) Véronique Malo and Emily Mennerdahl
The artists included in the exhibition are:
Chantal Durand, Anna Jane McIntyre, Tamara Henderson and Jon Knowles, Jacinthe Lessard, Sean Montgomery and Eric Simon, Diane Morin, Taien Ng-Chan, Lina Persson, Meghan Price, Jerry Ropson, Karen Elaine Spencer and Christin Wahlström.
Vernissage Friday 11th of September 2009, 5 à 7
Karen Elaine Spencer
Will present an ongoing performative gesture in the ST. Catherine Street window.
Saturday 12th of September 2009
We are sharpening our pencils to mark the start of the year. The FOFA is proud to present two exhibition projects that examine art, labour, learning and cultural perceptions of each with distinct methodologies and outcomes.
Please join the FOFA Gallery and FASA as we join together to present an afternoon of presentations, discussions, and interchange. The Independant Study Group and collaborating artists: Anna Jayne McIntyre, Chantal Durand, Taien-Ng-Chan, Fake It ‘Til You Make It (Eric Simon and Sean Montgomery) along with Marie-Michelle Deschamps and Michèle Lacombe, will host a series of events beginning at 1:00 and finishing up with a round table talk at 3:00.
“What Happens When Nothing Happens” is curated by Veronique Malo and Emily Mennerdahl, active members of the Independant Study Group (ISG), a nomadic artist collective. The curatorial project was conceived whilst working together in Gothenburg, Sweden.
The exhibition “What Happens When Nothing Happens” presents a variety of artists that are based in Montreal and Gothenburg. Although the participating artists vary in media, approaches and art practices they share a creative process that dialogues in its shapes, mediums and forms. The aim with the exhibition is to explore what happens in between, before, and after projects are conceived. Presented in the gallery are unedited ideas, sketches, drawings, thoughts, trials; everything and nothing that happens meanwhile something is being made.
Timetable and PARTICIPATING ARTISTS:
13:00 Artist’s talk
Chantal Durand works with sculpture, drawing, printing and installation whilst exploring the relation of uncanniness we maintain with our body.
13:30 Artist’s talk
Taien-Ng-Chan is a writer and film/videomaker who has written drama for stage, screen and radio. Taien incorporates daily travel (walking, riding the bus) as part of her art practice.
Fake It Til’You Make It, a collective that met at an amateur lumber jack competition consists of artists Eric Simon and Sean Montgomery. They will be giving a performative talk about “fake” artists and their inspiring art practices and work.
15:45 pause café
15:00 Round Table
The curatorial collective, Independant Study Group (Veronique Malo and Emily Mennerdahl) and collaborative artists Marie-Michelle Deschamps and Michèle Lacombe will discuss the expanded notions of studio practices and practice based research and explore the ideas within collaborative processes. Each of their distinct projects acknowledge, celebrate and display the labours inherent in art practices and put into question both ways of seeing and the attribution of value of time spent in, on, and around the stuffs of art. After short presentations on their practices , FOFA Director, jake moore will join them, and you, for discussion.
Independant Study Group (Véronique Malo and Emily Mennerdahl) will present their collaboration, and the process of the curatorial project as indefinite and evolving project rooted in their everyday lives. Marie-Michelle Deschamps and Michèle Lacombe, two emerging montreal artists that both work with process-based conceptual drawing, will discuss the birth of a collaborative project and its potential for extending one’s own practice and personal artistic development as shifts in perspective occur when in relation with another artist, a site, and materials.
The FOFA GALLERY gratefully acknowledges the support of FASA, and the Canada Council for the Arts in the realisation of this project.